Alex de Mora shoots Penny Rimbaud for Crack Magazine.
"Rimbaud is most famously known as the drummer, lyricist and organiser of Crass – arguably one of the most significant punk bands to ever exist. Since the turn of the millennium, much of his output has orientated around poetry and jazz. His most recent journey began in the colourful fringes of the hippy movement.
Of all Crass’ controversies, perhaps the most high-profile was the “Thatchergate” hoax. The band’s bassist Pete Wright edited recordings of Thatcher and Reagan to fake a private conversation in which Thatcher admits to purposely starting the Falklands War and Reagan suggests Europe would be targeted in nuclear conflict between the US and the Soviet Union. The tapes were reported by major newspapers. Before The Observer eventually worked out that Crass were behind them, the US State Department had declared that they were in possession of KGB tapes, and Thatcher was made aware of the project.
The band’s imagery was frequently bleak, but Crass were actively trying to inspire communities based on love and compassion. On tour they’d perform in church halls or scout halls in economically disadvantaged areas, donating profits to causes such as striking miners’ organisations, rape crisis centres and the legal fees for anarchists accused of plotting a bombing campaign. Their homemade leaflets promoted vegetarianism, environmentalism and nuclear disarmament. They had a complicated relationship with the anarchy label, but they adopted the symbol to distance themselves from both the right wing and the left wing punks who sought violence with seig-heiling skinheads. In the Crass song White Punks on Hope (the title a play on The Tubes’ single White Punks on Dope), Steve Ignorant declared: “Left wing violence, right wing violence, all seems much the same/ Bully boys out fighting, it’s just the same old game.”- Crack Magazine.