ACCESS

Getting yourself into the situation, facility, game or company of your subject(s) is the starting point. Whether commissioned or as a personal project, getting to the point to start shooting is a long process in itself, and can take weeks, months or even years of careful planning and effort. 

RESEARCH

Research and familiarity is really important. Knowing what you can about the people you are photographing is wise. Background information helps to build a story, and makes you feel better prepared. Also knowing all you can about locations, timings, weather, agendas, etc. It's always best to be prepared, and a US Army saying comes to mind, “Prior planning prevents piss poor performance.”

WHAT ARE YOU LOOKING FOR

If you are working on a commission, you will be given a brief, and guidelines you have to follow. But within this there will be elements really high-up on the list to capture. This could be the freezing of elaborate and precise movements for example, or for me, keeping a picture as honest as possible, and retaining as much of the subject’s character as I can is always top of the list. I feel that resonates more powerfully than anything else.

THE TOOLS FOR THE JOB

Making sure you have the right camera, lenses, rigs, people, lighting and production, it goes without saying, are crucial. Everything I shoot is now digital, and it is your responsibility not only to capture the imagery, but also it’s transfer, storage, safe-keeping and delivery too. I am including people in this “tools” point, as they are as, if not more, important than the equipment! Efficiency, reliability, effectiveness and team dynamics all hinge on people, and not the model of your camera. I would pick a cracking team over glitzy equipment any day.

 

The Keenest Blade Part 2

2/3 short stories from Japan for this issue of Esquire Big Black Book shot by Christoffer Rudquist S/S2017

Nadia Lee Cohen's "The Pageant"

A first hand insight into her recent work for Hunger Magazine, Issue 12. 

The Keenest Blade

1/3 short stories from Japan for this issue of Esquire Big Black Book shot by Christoffer Rudquist S/S2017 

DMB interview Stylist Nayaab Tania

A GUIDE TO INDULGENCE in her own words - NADIA LEE COHEN

Nadia Lee Cohen gives us another insight to her personal project a Guide To Indulgence sharing her intentions behind the film. 

An Interview with Noose & Monkey

We caught up with Noose & Monkey to discuss everything from industry tips, to inspirations and what it is like to work within industry of tailoring. - Imagery shot by Haris Nukem 

Snow in Kyoto

 Christoffer Rudquist gives us a tranquil gaze of snow falling in Kyoto - Japan. 

Augmentation of Sight Sacralization Exhibition - Simon Roberts

Simon Roberts uses augmented reality within his exhibition to pull the viewer into the landscape and emphasise fleeting moments, where the essence of the individual location can be exposed to the viewer. 

 

 

A Guide to Indulgence - Nadia Lee Cohen

A personal film by Nadia Lee Cohen that creates a satirical world where female inhabitants push their appearances into cartoonish extremes. Nadia uses music and subtle word play to portray extreme representations of femininity.

TOP Tips on sports photography with Finn Taylor

We caught up with photographer Finn Taylor to get some first hand industry top tips on sports photography. 

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